Adam Vincent Clarke
A vagabond of the Canadian East Coast, Adam Vincent Clarke (b.1992, Nova Scotia) is an internationally acclaimed composer and sound artist whose music is characterized by its richly poetic nature, folkloric roots, and vibrant imagery. Rooted in Canada, developed in Germany, and established in Belgium, Adam composes with a tone of gewaltsame schönheit (violent beauty), his compositions balance lush harmony, dramatic narratives, and multidisciplinary fluency.
Adam’s expertise in reflecting dialogue and storytelling through music has seen him in high demand throughout Europe and North America as a composer of ballet, contemporary dance, chamber and theatre music. Recent performances of his work include John-William Watson’s “Hang in there, Baby” at the renowned Sadler’s Wells Theatre (London, UK), Y Tú for the Royal Ballet of Flanders (Flanders, BE), Sweetspot for Shane Urton and Repertory Dance Theatre (Utah, USA), and Two people in love can never shake hands for BalletX (Philadelphia, USA) with choreographer Nicola Wills. In these works, Adam weaves together live instruments, electronic soundscapes, and recorded dialogues from people worldwide; from battlefields to the beaches of Crete.
A prolific artist, Adam also brings creative concepts to life through independent projects, including PUPO, Contr (a / o) vers (e / u) s and SOLO ONE. A two-time nominee for the East Coast Music Award for Classical Composer of the Year, Adam attributes much of his success to his musical beginnings and mentors.
“…rich in sound, always surprising with new harmonies. It never becomes descriptive in an easy way but opens the imagination of the listener, only suggesting to him the outline of an image, even some details that you had in mind while composing. I think that’s characteristic for real composers: they can freeze a poetic image in sound. They do more than just writing a nice tune: they paint”.
-Marc van Rompaey, Radio Klara Belgium
COMPOSER & SOUND ARTIST
Favourite JWW & Co. memory…
“"When John took my suggestion to adjust one line of the text for The Fundamentals of Business. "In the fucking garbage" AND they laughed. They always make me laugh and it felt great to return the favour." ”
— Adam from The Fundamentals of Business in 2019